[The scene is the inside of a house, in a living room. It's a cold winter night, and snow falls softly outside the window. A solitary figure, GRIEVING MAN, sits slumped in a chair, staring at a frame.
A knock at the door disturbs him, and as he moves towards the door he sets the frame down on a table, next to a bottle of Coke. The camera pauses to let us see the frame, holding a picture of JEAN, and the Coke.
GRIEVING MAN opens the door to reveal ZOMBIE JEAN. It's clearly the same woman as in the picture, but her movements are stiff and sluggish; her head remains stuck at an angle; her skin has a grayish, dead hue. When GRIEVING MAN sees her, he is aghast, and quickly begins sobbing in joy]
GRIEVING MAN: Oh my god... Jean? I thought I'd lost you...! The car crash--how did you--?
ZOMBIE JEAN: [eyes flickering past GRIEVING MAN to the Coke on the table, moaning in zombie fashion] Coookkkeee....
GRIEVING MAN: [ushering ZOMBIE JEAN into the house] Oh, yes! Of course! Come in. [ZOMBIE JEAN begins chugging the Coke, while GRIEVING MAN rambles and weeps uncontrollably] I've missed you so much. I can't believe you're still here; I could've sworn the doctors said you were DOA. Maybe I'll sue them, what do you think, dear? Oh god, it doesn't matter, now that you're here, now that you're back. [ZOMBIE JEAN finishes the Coke, turning the bottle upside down to verify that there's not a single drop left, and her eyes turn towards GRIEVING MAN] Everything's going to be all right now!
[CUT to the outside of the house, the snow still dusting the lawn and the house. We can see GRIEVING MAN and ZOMBIE JEAN's silhouettes through a lit window, with ZOMBIE JEAN advancing on GRIEVING MAN. GRIEVING MAN's voice is low and muffled, just a background noise, since we're outside the house now]
GRIEVING MAN: [suddenly unsure] Jean? What're you...?
[The silhouettes move past the window, as Coke's logo appears on the screen, over the roof of the house, and the NARRATOR speaks in a voice-over, reading the words on the screen]
GRIEVING MAN: [panicking, shrieking, though still a muffled background noise] Oh god, no! Jean! Stop!
[What can only be blood splashes the inside of the living room window, as the next line of text appears under the Coke logo on the screen, and the NARRATOR reads those lines, too]
NARRATOR: We'll bring your loved ones back from the dead.
[The scene is a warm spring day, outside in a park. People are walking their dogs, or taking a stroll, or sitting on the benches feeding the birds, or some--like HEALTHY MAN--are jogging down the track. The camera follows HEALTHY MAN as he goes on his route, leaving the park and jogging down the sidewalk, occasionally jogging in place when he gets caught at a light.
The scene cuts to the inside of HEALTHY MAN's apartment, staring at the inside of his door, which soon opens as HEALTHY MAN enters. The camera follows him as he strides over to his refrigerator and picks out a nondescript bottle]
HEALTHY MAN: Ahh... nothing like vegetable juice after a good morning's jog!
[HEALTHY MAN tilts his head back to drink, raising the bottle to his lips slowly. The liquid is about to reach his lips, when suddenly the camera cuts to his door as it is broken down and three HIRED GOONS charge into his apartment]
HEALTHY MAN: Hey, what the--? Who the hell are you? What are you doing?
[The HIRED GOONS don't speak. Instead, the first one to reach HEALTHY MAN snatches the bottle of vegetable juice from his hand and smashes it over his head.]
HEALTHY MAN: AAAH! Oh god! Oh my god, what the fuck did you do that for? Ahh! I need to go to the hospital!
[HEALTHY MAN begins to stagger away, towards the phone, but instead HIRED GOON 1 and HIRED GOON 2 ambush him and begin beating on him, and he cries out in pain at each of their blows. The camera cuts to HIRED GOON 3, who opens the fridge and takes out the rest of HEALTHY MAN's vegetable juice, then pours it down the sink. The muffled sounds of HEALTHY MAN's cries ensure us that his beating is still taking place.
Finally, the camera cuts to a clear tabletop as HIRED GOON 3 slams a bottle of Coke onto the surface. The bottle remains in focus as HIRED GOON 3 retreats into the background of the camera, joining HIRED GOON 1 and HIRED GOON 2. The three HIRED GOONS continue to kick HEALTHY MAN, who is now curled into a fetal position; the ongoing beating is out of focus as the camera focuses on the bottle of Coke]
NARRATOR: [voice-over] Coke: don't make us come down there.
Now I just need to figure out who to pitch these to.